Ane Diaz played bass and sang in the culty band The Causey Way from 1997-2001.  She was known as 'The Truth’ in The Causey Way which was signed to Jello Biafra’s label Alternative Tentacles. 

It was rumored to be a cult and I received a few calls from friends concerned about her involvement in the band much to my amusement. In 2001 she went on to found her own band Producto made up of original songs sung in both english and spanish.  In addition to the bass, she plays Venezuelan cuatro.


Today Ane is dedicated to sharing and playing Venezuelan and Latin American folk music with a new twist. With unconventional instruments and  the help of her friends, she aims  to have musicians and music lovers alike, have a new experience from these beloved  iconic songs   

 Rain Phoenix,

 Actor, Musician, Producer


Ane Díaz Shares a Kaleidoscopic Video for Her Single “Los Ejes de Mi Carreta”

The song is the latest single for the Launched Artists Digital Singles Series.

July 20th 2020by Kim March 

Venezuelan-born singer and multi-instrumentalist Ane Díaz’s mission statement is to bridge the gap between Latin music and American alternative genres. “Even if you don’t know Spanish, you can still experience and appreciate the emotion of the song,” she shares. “I’m an American Latino now, so I’m putting all of the things I love together and honoring them.” 

Díaz, whose connection to the Phoenix family dates back to her opening sets for Rain and River’s band Aleka’s Attic, channels this alt-rock energy into her latest Argentinian folk ballad “Los Ejes de Mi Carreta,” which arrives today as a part of LaunchLeft’s Launched Artists Digital Singles Series. The fiery ballad—which comes with a kaleidoscopic visual directed by Dominic De Joseph—is stripped to vocals and guitar, with Díaz’s deep voice dominating the track. 

“To me, it translates to the struggle of the poor or anyone being silenced,” she explains. “The song refers to a farmer. He doesn’t want to grease the wheels of his cart, because he wants to hear the noise. It represents his voice. We deserve to be acknowledged, seen, heard and be proud of who we are.” 

Rufus Wainwright: Portrait / Launched Artist: Ane DiazWWRufus Wainwright: Portrait / Launched Artist: Ane Diaz

April 6, 2020 • 45 min

Rufus Wainwright: Portrait Launched Artist: Ane Diaz We begin Episode #33 with an honest and topical discussion with Mr. Wainwright, whose been sharing his music freely on social media for some time now. Since quarantine he has redoubled/tripled/quadrupled his efforts with his robe recitals daily! We get 22 glorious minutes with him to discuss the current affairs and how artists are engaging in the quarantine landscape. Then on to one of our favorite artists for many years Ms. Ane Diaz. The Venezuelan chanteuse and long time Phoenix Family friend let’s us in on her gardening tips, her early days in America, her love of music, + a surprise pop in by Devendra Banhart before she plays us a Venezuelan folk song. Find us at or wherever you hear podcasts.

NPR -Songs We Love: Ane Díaz, 'Allá Viene Un Corazón'

Marisa Arbona-Ruiz March 22, 201810:58 AM ET

As the humanitarian and political crisis continued to mount in her native Venezuela, Ane Diaz turned to the folk songs that shaped her early life and put her own spin on them, as a way to protect what she considers national treasures.

In the first release from that work, "Allá Viene Un Corazón" Díaz radically abandons the popular, fast-paced 6/8 rhythm of the Venezuelan danza — a folk song played with small, guitar-like instruments and folkloric percussion, transforming it into a slow burn, an awakening heart with a soulful, jazzy pivot and twangy guitars.


"Allá Viene Un Corazón" translates to "There Comes a Heart." The single is from her upcoming album, simply and aptly titled Venezuela, which collects her reinterpretations of the folkloric songs she holds dear. "These songs have inspired and guided me all my life," she says in a press release. "It has been a dream to be able to share them — most importantly now, when dictatorship and hunger [are] trying to steal the soul of the people of Venezuela."

Díaz's graceful angst and yearning inhabit the song, as her voice brings out a richness and emotional depth hidden within its more traditional versions, a finesse matched by the striking touch of trumpet. A few wistful notes set the tone, followed by sparse guitar tremolo, vocals and cello in the first stanza that ends with a desire to restore a poor, ailing heart.

Corazón bello, que tengo el pecho maluco, allá viene un corazón

[Beautiful heart, I have an ailing chest, here comes a heart]

Then comes one of my favorite moments, the cry of a sustained trumpet note that invokes Miles Davis and ushers in the rest of the song's fuller sound. Producer Rain Phoenix (sister of actor Joaquin Phoenix) describes that long held out trumpet as a way to speak to "the rush of excitement in the heart, coming back to the heart, awakening the heart." We're listening.

The upcoming album Venezuela will be released in mid April.



Goldmine Sacks



Ane Diaz dropped the new single “Allá Viene Un Corazón” that deals in a vérité of brass inflected melodies & arrangements. The sincere & impassioned approach draws extensively from the Diaz’s Venezeluan heritage with a crooning delivery & arrangement reminiscent of stateside clandestine lounges from the 1950s. Known for work in Causey (Alternative Tentacles), Ane’s song moves with musical brush-strokes that paint the passage ways to the heart of human affection.

Ane Diaz - Allè Viene Un Corazòn

A simple triplet shuffle on the snare with brushes, some tasty harmonies, and a bleeding soul. Sometimes that is all it takes.

Krister Axel

May of 2018.

It's a lonesome trumpet, but it's not a cowboy cliché. This is a songwriter with a sultry voice who happens to sing in Spanish. The production is vaguely dressed in the trappings of a Venezuelan desert-folk song, but the sense of longing and mystery is very open. After all, we are just talking about love.

A simple triplet shuffle on the snare with brushes, some tasty harmonies, and a bleeding soul. Sometimes that is all it takes.

Ane Diaz is a singer and songwriter from Venezuela.

Gainesville Sun -The Art of the Second Round

We’re going to veer off course today, because I’ve been doing some thinking (I know, I know) and I want to explore these thoughts recently thunk.
I’ve been thinking about how Gville offers a somewhat unique opportunity to examine what happens to musicians in bands that rise through the ranks and then break up. I thinks to myself, “Hey, there are quite a few bands that get big in town, take their act out on the road, dissipate and then come back to town to try again.”

And since we’re a small(ish) town, we get to see the drama unfold time and time again.

Lo and behold, a show comes along just chock full of musicians in Round 2; Producto and papercranes play Wednesday at Common Grounds, 210 SW 2nd Ave. Rain Phoenix from papercranes and Ane Diaz from Producto were members of the seminal Gville band the Causey Way, who, after signing to Alternative Tentacles, blowing up at SXSW and touring all over the place, freaked out a bit and broke up.

See full article here.

GAINESVILLE SUN - Scene Magazine - Sound Check 


Whenever a new band emerges, there's a tendency to conjure up reference points- usually bands people are familiar with- to describe it. Perhaps nobody is more guilty of this than those of us who write about music in the press. Trouble is, every once in a while, one comes along with a sound so unique that such shorthand comparisons are difficult. Producto, a foursome playing the Common Grounds Saturday night, is one such band.But, if I were forced to attempt to reference this group, I'd say it's a little like Siouxie and Banshees meets the Sugar Cubes, but with a blues-rock foundation, Of course. There's much more to Producto than that. Fronting the group is a face that should be familiar to those who followed the local music scene over the years. Ane Diaz, You might remember Diaz as part of The Causey Way or further back, Sumac and Ndolphin. Her mysterious beauty, captivating stage presence and haunting voice have charmed audiences for years. Diaz sings and plays bass for Producto... Diaz stresses that even though many of the ideas originate with her, the group's music a joint effort. "Music is always a collaboration" says the Venezuelan-born Diaz. ... We always make the final call together. I do have a specific sound I go for, but all of us go there very naturally"... 

CDbaby by Alan Flurry
In the call for something greater, a sweet, harsh, inexplicable sound drifts out over the Atlantic toward the hungry hearts whose number are legion.  The land of commodity gives us, of course, Producto, the Athens, Georgia-based band. 

Now comes Producto 3. 
The third album, the bass, drums, the guitar all in one package, seamlessly twisted around and through sweaty, streaming lines of handsome heartbreak, a"... follow my tears to the river you drink..." The vocals approach on a vast stairway rung with power chords instead of handrails - ferociously tearing at the last vestiges of Pop. This femme fatale with the silky contempt trades on her fever like it's the only gift she has to give you. The ten new songs could only be the newest evidence for that creep who will not die, that Deusex Machina of creation cannibalizing commerce with the newest Producto.

Photo by Sloan Simpson

FLAGPOLE - Club Notes -August 31, 2005 by Ben Gerrard 

Relief comes in a potent dose at the hands of local band Producto playing at the Caledonia Lounge. I ask someone at the bar what she knows about the band and she says, "A friend told me that sometimes they sound like Blue Öyster Cult and sometimes they don't sound like Blue Öyster Cult, at all, but they rock!" So far her friend has been right on all counts. The powerfully languid vocals of Ané Diaz are at the forefront of this band, but at its core is the aggressively industrial and darkly stirring guitar work of Frank MacDonell, who achieves some of his isolating soundscapes by playing his guitar with a bow through a range of effects pedals. Diaz is now interspersing fiercely angular Athens rock with a laid-back Venezuelan folk song that sways to a gently waltzing rhythm. 

When the dark indie rock returns, I also become very aware of the heavily pulsating basslines of Andy Baker, as Producto's next song rocks out with a post-new-wave-punk groove. As Diaz & Co. continue their stylistic twists and turns, they take on a country-meets-Debbie Harry vocal feel before cruising into a comfortable Laura Morgan cover. With its diverse range of styles and extreme musicianship, Producto is all the non-conforming confrontation and melodic power that I could have hoped for.